EASTERN IOWA REVIEW
  • Home
    • EIR Updates
    • About Us
    • Masthead
    • Port Yonder Press >
      • Chapbooks
    • Eastern Iowa Review
  • Guidelines
  • FAQs
  • Current Issue
    • Issue 20 - Best Prose Poetry Anthology 2025
  • Past Issues
    • Lyric Essay Issues >
      • The Lyric Essay
      • Issue 19
      • Issue 16 - Come, Wander
      • Issue 10 - Spring 2020
      • Issue 8 - Spring 2019
      • Issue 7 - Print Anthology
      • Issue 6 - 2018
      • Issue 3 - 2017 >
        • Editors Note - Issue 3
      • Issue 2 - 2016
      • Issue 1 - 2015
    • Themed Issues >
      • Issue 18 - Heaven(s)/Sky
      • Issue 17 - Nature >
        • Editors Note - Issue 17
      • Issue 15 - Love
      • Issue 14 >
        • Those Elves - Origin Story
        • Those Elves - The Collection
      • Issue 13 - Winter
      • Issue 12 - Water
      • Issue 11 - Hope in Renewal (An Intermission)
      • All Things Anne - Issue 9
      • Issue 5 - The SmartApocalypse
      • Issue 4 Contributors & Samples
  • More
    • Maggie Nonfiction Award
    • The Prose Poem >
      • The Christine Prose Poetry Award
    • Fictions >
      • The Dory Ann Fiction Award
      • Contemporary Mystery
      • Dark Fiction
      • Debut Fiction
      • Fan Fiction
      • Honorable Mentions
      • Literary Fiction
      • Mythical Fiction
      • Speculative Fiction
      • Woods-Western-Mountain-Appalachian
      • Young Author
      • Unclassifiable
    • Prizes
    • Interviews
    • List of Contributors

​​CREATIVE NONFICTION

LOUIS FABER

BACKGROUND


We were told the average background color of the universe was turquoise. She said "that's because a coyote ripped it from the mountains outside Cerrillos. But now they say it's actually a shade of dark beige, drying mud colored." It was a glitch in the software, the astronomers said. The coyote was unmoved.
 
She sits on the floor sorting coupons and roughly clipped articles on herbs and natural remedies. Occasionally she looks down at the hollow of her chest, at the still reddened slash left by the scalpel. "I've got no veins left. I hate those damned needles. If they want to poison me, I'll drink it gladly. Socrates had nothing on me."
 
I rub her feet as she slides into the MRI tube, and pull on her toes. "I can pull you out at any time." I look at my wrist but there is no time in this room, checked at the door. Just the metronomic magnet. As she emerges she grabs my hand, presses it against my chest. I cradle her head and trace the scar across her scalp, trying to touch the missing brain matter, the tumor it nestled, pushing aside the brittle hair. "Lightly toasted," she whispers with a weak smile. She hates white coats and stethoscopes. "They're the new morticians." They take her in small sections. She is a slide collection in the back of my closet and on the pathologist's shelf. I want to gather them all and reassemble her. I want her to be a young girl of fifteen again.
 
Coyotes wander down from the Sandia hills. They gather outside the Santo Domingo Pueblo, sensing the slow seepage of heat from the sunbaked adobe. There is no moon. They know each star. They stare into the darkened sky. They see only turquoise.


Picture

​Louis Faber is a poet and blogger.  His work has appeared in New Feathers Anthology, Defenestration, Atlanta Review, Rattle, Cold Mountain Review, among many others, and has been twice nominated for a Pushcart Prize. A book of poetry, The Right to Depart, was published by Plain View Press.  He can be found at https://anoldwriter.com.

Powered by Create your own unique website with customizable templates.